![]() We've tried to do various projects together. Well, he produced my last record, “What the Broken-Hearted Do.” I've known him for a while. I was so glad to see them on this record. You collaborate with Jonathan Rado, and Natalie Mering from Weyes Blood. I've only got two songs from “Fear of Death,” and they are so great. Related videos below and for more great content featuring your favorite artists, sign up for Fuse+ to access all our videos.I'm excited to talk about music with you. Kinds of songs, but musically, we try to make it as good as possible. ![]() We might be making fun of some of the sentiments and ideas in these Get a little confused like, "Are you making fun of this stuff?" And ultimately, And in terms of the song structure,Īll that stuff is very close to the music I’d be normally listening to. Of the way it sounds and the playing on it. Thousand times in terms of approving stuff like mixes, but I'm generally proud Sometimes I do! It's weird to listen to your own stuff, especially when you’re Your house? Assuming you clean your own house. Your music when you listen back to it? Would you ever put it on while cleaning Was funny and you would laugh, because it was ridiculous, but then it stopped Some of that is still there, but there'sĪn early mix where they were scatting on top of each other and it was mayhem. Well, at the end of "Salvation Street," we had these backup gospel Opposite and realize you need to tone it down? You have the song and think, "Well, what's funnyĪbout this?" And then you find little things that add a twist. Little off or a little funny, though maybe not for everybody. But I try to make sure every song has an angle to it that's a Unconscious or subliminal, getting into the spirit of that kind of music and ![]() Street." Are those funnier musical details premeditated? You end "Getaway Man" by shouting out, "I'm headin' on to the safe house," and there's a big choir at the end of "Salvation Sitting at the piano and putting words together, finding little melodies. I’ve been listening to on heavy rotation, I'll be listening closely to see where So the thought, "Let's do a Bruce song" or "Let's do Randy Was good period of time between them where these songs collected. Might have been around in some form at the time of the first record, but there There's a big folder on myĬomputer that has 50, 60 songs in various stages of completion. ![]() I make something sound like a Bruce Springsteen song?" So it starts there and if a hook comes in or a lineĬomes along that's interesting, you see it through. Recording technology, a song sometimes starts off as a project of, "How do Thing to do, but I got a little better at making the songs my own. And he brought his own songs too: The songs Send them to Davin and he would sophisticate them up. I had songs that were more fully formed and I would Most of the songs were co-written and made together in real time. How did this album come together? Do you and Davin Wood work together or separately? To figure out how much of this album is meant in earnest, how much is homage and how much is pure mockery, we spoke with Heidecker at length about Some Things Never Stay the Same, an album he tells us is intentionally crafted to help "confuse the lines” between comedy and rock for listeners. And while some of the lyrics certainly are funny, others evoke real, smirk-free emotions. Warren Zevon, Randy Newman and Bruce Springsteen. Heidecker & Wood have traded the lameness of yacht rock for the biting edge of '70 singer-songwriters like While soft-rock parodies fit nicely within the Tim & Eric universe, this record packs a genuine shock for fansīecause-believe it or not-it's not a joke. But unlike their first album, this one is a curveball for longtime fans of Heidecker's comedy. Two years after releasing their yacht rock-parodying debut album, Heidecker & Wood-the duo of comedian Tim Heidecker and Tim and Eric Awesome Show, Great Job! composer Davin Wood-are back with a new record, Some Things Never Stay the Same. ![]()
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